Insta360’s X-series 360-degree cameras have long dominated the market. They have great video quality, an easy-to-use interface, and simple editing software, which makes these the most beginner-friendly 360 cameras around. The latest version, the Insta360 X5, continues that tradition while bringing larger sensors with even better-looking video.
The X5 is a worthy upgrade; video quality is better, battery life is improved, and new features like the PureVideo lowlight mode and replaceable lenses make the X5 the most compelling 360 camera on the market.
What’s New
Photograph: Scott Gilbertson
The big news in the X5, and the reason to consider upgrading even if you already have the X4, are the new twin 1/1.28-inch sensors. They’re a considerable step up from the 1/2-inch sensors in the X4. At the same time, the video specs have not changed much at all, with 8K 30 fps and 5.7K 60 fps at the high end. A larger sensor with the same resolution means more detail in that footage, which is exactly what you get here. This is without a doubt the best-looking footage I’ve seen from a 360 camera.
Keep in mind that the 8K refers to the overall 360-degree shot. When you actually frame that footage in the app, the highest resolution you’ll be able to export is 4K. But the 4K footage you’ll get is markedly better than what the X4 delivers.
The footage coming out of the X5 is great for a 360 camera. Bear in mind, though, that almost any other newer action camera is going to have somewhat better video quality. The appeal of the 360 camera is that it can capture what’s behind you, whereas Insta360’s traditional action cam, the Ace Pro 2 (8/10, WIRED Recommends), cannot. This makes 360 cameras perfect for filming when you don’t know exactly how you want to frame your shot, for example while riding a bike, skiing, skateboarding, and so on. In the past, to get this kind of shoot-everything, frame-later flexibility, you had to give up some video quality. While that’s still true to an extent, with the X5 you’re giving up very little in terms of video quality.
Photograph: Scott Gilbertson
